Showing posts with label Georgetown University. Show all posts
Showing posts with label Georgetown University. Show all posts

Friday, February 21, 2020

Commentary: Alexandra Bowman of Georgetown's "The Hilltop Show" Responds to Callout and Critics


by Alexandra Bowman

Ms. Bowman is a 19-year-old student, political cartoonist, and humorist at Georgetown University. We interviewed her last December. When I met her in person last weekend, she told me about a minor university controversy about a pulp paperback book collection in a GU dorm library that had started to go national due to Brietbart picking it up. I offered her space at ComicsDC for her response. For the record, I'm in my mid-50s and grew up with many of the books pictured in the Georgetown Review story around the house, I have read some of them, and I personally do not find them generally offensive myself. However, I do believe that she and her colleagues have a right to make their opinions known without being trolled. And at least one of the books, The Cunning Linguist, is genuinely hardcore pornography. - Mike Rhode

Launched in fall 2019, The Hilltop Show is Georgetown University's political comedy show. Our team aims to make current campus, national, and international events accessible and entertaining to those who might not typically engage with the news - including not only students but the broader Georgetown community and beyond. In line with this mission, we publish journalistic pieces as well as comedic sketches and interviews with political practitioners and comedians. 

I founded the show last April. I write sketches and "informational monologues" (the thing John Oliver does), conduct and coordinate journalistic investigations, organize film shoots, edit videos in Adobe Premiere, and conduct outreach and PR for the Show. I create our graphics, drawing many by hand with traditional and digital media, like our Season 2 poster:



The Hilltop Show meets in a study space in a dorm that would be more accurately described as a glorified broom closet. Until a few weeks ago, the space included a bookshelf, on which were hundreds of books have been there since 2003 when the dorm opened and an alum donated them. During a weekly team meeting, we noticed one book that caught our eye, entitled Cherokee, which depicted a young Native American girl on the cover illustrated not only in an objectifying way but also with blood on her clothes. Upon further inspection, we realized that at least one of the books was hardcore pornography, but many others of them included derogatory racial elements and glamorized rape, including that of underage girls. We asked the university and multiple organizations if they were aware of the books and if they had any background knowledge of their origins, and within hours of one of our emails being sent, every book disappeared from the dorm library. 

The Hilltop Show partners with an independent student media publication on campus, The Georgetown Review, and we worked with them to publish a journalistic report based on The Hilltop Show's research and the events that had transpired. The Show also filmed and published a sketch (a Goodfella's parody) on the same day the books were removed. 

Shortly thereafter, the university newspaper, The Hoya, published an article that included a statement from me, with some remarks indicated as representative of the team's views and some as my own. As I noted to them, "While some were simply raucous crime noir murder mysteries representative of the literary and cultural time in which they were written, other books included extremely problematic and damaging elements, including the glamorization of rape, including that of underage girls. Completely naked women of all races were frequently featured on these books' covers. Further, many books fetishized young nonwhite women." 

The books were typical of the time in which they were written, but our main question was whether the university knew that they were present considering that the books' racist and pornographic content, regardless of when the books where written, could be harmful to those who read them. Several young children under the age of ten live in the buildings where these books were kept, not far out of their reach.

I'd point to how Disney has approached the issue of many of their older films containing culturally outdated and racist elements. On the new streaming service Disney+, films with these elements have warnings in their descriptions.  For example, on the 1967 film "The Jungle Book," the following lines are included in the description of the film: "This program is presented as originally created. It may contain outdated cultural depictions."  I believe that even a small plaque on the walls of the McCarthy and Reynolds library with a similar sentiment would have been enough. When we reached out to the university, we didn't want the books to ultimately be removed. We wanted them to be contextualized in a similar way to how Disney has handled such content typical of mid-20th century media.

Conservative higher education news site The College Fix published a laughably biased article, which was not based in fact nor particularly concerned with providing much context for the situation whatsoever. Breitbart apparently then noticed this article and then wrote one of their own based on the College Fix's report. 

Breitbart reported the story in a way that suits the narratives popular with their reader base. Their report paints the story thus: liberal snowflake college students complained when something offended them, and the university folded and banned the books those students whined about. The image accompanying the article, a photo of books engulfed in flame, has prompted thousands of commenters to compare what we did - which was to raise questions to the university regarding the presence of dime novels that glamorize rape and pedophilia - to Nazi book burnings. 

Brietbart's article has been shared over 38,500 times as of February 20th. Over 11,000 comments have been left. 

The Hilltop Show has released a statement via a tweet commenting on the Breitbart article: 

"First, we didn't want the books removed altogether. We wanted them contextualized. Censorship? Nope. Second, if you're a fan of keeping books around that glamorize rape and pedophilia, we have Some Concerns. Something tells us you didn't read @thegureview's actual report."

I'd like to conclude by saying that we are more entertained by our Breitbart callout by anything else. After all, Breitbart has now called the Hilltop Show a "crack research team." Rest assured that "Crack Research Team Member" T-shirts are currently being designed. Cheers.

More information about The Hilltop Show can be found on our website, hilltopshow.com where you can also sign up for our newsletter. Our YouTube channel is linked here. We post updates, political cartoons, memes, and more on our social media pages: we are @hilltopshow on Instagram, Facebook, and Twitter. As our slogan states, we will continue to #capitalizeonthechaos. 

Monday, December 16, 2019

Meet a Local Cartoonist: A Chat with Alexandra Bowman


by Mike Rhode

My friend Bruce Guthrie recently attended a political cartooning event at Georgetown University featuring Matt Wuerker and KAL, which I had to skip due to a scheduling conflict. Afterwards, he made a point of introducing me via email to Alexandra Bowman, the student political cartoonist who organized it. In keeping with our attempts to learn more about local cartoonists, I asked if she would answer our usual interview questions.  Alexandra did so directly upon finishing her final exams, and I think you'll all be impressed by her answers.


1. What type of comic work or cartooning do you do?

I am a political cartoonist, children's book illustrator, and fine artist. The menu of galleries on my website is a bit unwieldy at this point.

I served as the Editorial Political Cartoonist for "The Hoya," the Georgetown University newspaper of record. I left this past fall to start my own political comedy show at Georgetown, "The Hilltop Show"--I create hand-drawn and digital graphics for the show. I was also recently hired as the Editorial Political Cartoonist for Our Daily Planet, a climate news outlet with a readership of 13,000 (my first cartoon was published here), as well as the Georgetown Review, an independent news source on campus.

I also have illustrated three children's books and do freelance work and commissions. My work has been published by BBC News, BBC Books, Penguin House UK, Puffin Books.

I serve as the Live Political Cartoonist for the Georgetown Institute of Politics for Public Service (GU Politics). My first event was this past September's MSNBC Climate Forum; I created cartoons and life drawings of candidates, including Pete Buttigieg and Bernie Sanders, throughout the two-day event. I also do freelance artwork for GU Politics. All my live cartoons, as well as my past work for "The Hoya" and other political pieces, can be found here.

2. How do you do it? Traditional pen and ink, computer or a combination?

I am partial to drawing/sketching my political cartoons and illustrations in pencil, inking, and coloring with alcohol markers and colored pencils. I'm becoming increasingly fond of coloring via Photoshop, as it's much faster and I don't have to wait three days for the Copic ink to come off my hands.

When making fine art, I enjoy using mechanical pencils for detail work. Oil paint and colored pencils are helpful for creating broad swathes of color.

3. When (within a decade is fine) and where were you born?

I was born in March 2000 in Sierra Vista, AZ. Yeah, I really haven't been around that long.

4. Why are you in Washington now?  What neighborhood or area do you live in?

As a current Georgetown undergraduate student, I am currently based in DC. I live in Kennedy Hall at Georgetown, which has only about half the leaks and rodent sightings as the other dorms. When I'm not fending off rat attacks, I live about 30-40 minutes from Washington D.C. in Fairfax, VA.

5. What is your training and/or education in cartooning?

I took AP Studio Art in high school, and took an Oil Painting class last year at Georgetown. I've had a few extracurricular art classes here and there. My mom is an artist: she ensured that I always had access to art supplies and art books, and took me to museums on almost a weekly basis as a kid. I have also spent years teaching myself to draw. Every break from school invites the existential question of "how many coffee table-sized Art-Of-The-Movie books should I bring home?"

6. Who are your influences?

While teaching myself over the years, I have devoured art books and classically-illustrated children's books, particularly animation concept art books and anthropomorphic animal stories. Beatrix Potter, Dr. Seuss, Milt Kahl, Frank Thomas, Ollie Johnston, Byron Howard, Jin Kim, Shiyoon Kim, Cory Loftis, Jim Davis, Christopher Hart, the illustrators of the Geronimo Stilton books (whose pseudonyms on the copyright pages have been tragically unhelpful), and Trina Schart Hyman. From a young age, I have been particularly enchanted by illustrations of anthropomorphic animals, especially those with a semi-realistic tone (e.g. the work of Beatrix Potter, Disney's Robin Hood, Zootopia, Aesop's fables illustrations, etc.).

Beatrix Potter and Jim Davis were my earliest influences. Whenever I draw an animal or a chubby character, its arms and paws/hands are (unintentionally) posed exactly like Garfield's. I drew Garfield all over my notebook and test margins in the fifth and sixth grades. And when I saw "The Hobbit:" when I was 12 (on December 22, 2012; yeah, I know), I became engrossed with Tolkien and Bilbo Baggins. I received a Bilbo Baggins bobblehead for Christmas three days later, and I decided to draw it that evening. I proceeded to cover my seventh and eighth-grade planners with drawings of Bilbo, and that doodle instinct has not since abated.

I've only begun to get into political cartooning recently, but I have long adored the work of the Washington Post's Ann Telnaes, Politico's Matt Wuerker, and The Economist's Kevin Kallaugher. I actually helped plan a GU Politics/Hilltop Show event this month hosting Mr. Wuerker and Mr. Kallaugher on campus; I delivered the event's opening remarks and introduced the cartoonists.

Vincent Van Gogh, Albrecht Durer, and Leonardo da Vinci are some of the biggest influences of my fine art.

7. If you could, what in your career would you do-over or change?

I don't think I've been drawing professionally long enough to have had any major slip-ups or regrets. I think.

I am, however, at the stage (the "Early Life" section on Wikipedia?) that I will look back on in 5-10 years and wistfully think "If I had only known/done X at that time!" Advice from more experienced cartoonists is always much appreciated!

8. What work are you best-known for?

Live political cartooning at the Climate Forum was a pivotal moment in my artistic "career" (I'm 19, I squirm when I use that word). Since coming to Georgetown, I have immersed myself in political cartooning for multiple publications. I think if you were to ask someone who has a second-degree connection to me (socially or on LinkedIn) what I tend to draw, they'd mention "the girl who draws political cartoons and foxes and John Oliver and had that massive display in the library coffee shop once."


As mentioned, I was also recently hired as the Editorial Political Cartoonist for Our Daily Planet, a climate news outlet that John Kerry apparently reads every morning.

On a fun note, one of my drawings of the Fourth Doctor and K-9 was published by BBC Books and Puffin Books/Penguin Random House in an international anthology for sale in Barnes and Noble.

9. What work are you most proud of?

I'm particularly proud of my recent political cartoons, as I'm excited to have ventured into a field of art that I believe has more of a tangible positive impact on the world. I believe that political satire is one of the most effective means of reaching those who would not otherwise engage with the news in politics, as young people and the politically uninitiated are much more likely to engage with informational media if it is presented in an entertaining package.

10. What would you like to do or work on in the future?

I would like to be a broadcast journalist, news anchor, or political comedy talk show host. Writing for the latter would be an ideal intermediary position. I really admire how Jake Tapper has been able to tactfully combine his interests in strict news reporting and political cartooning by hosting both "The Lead" and his "State of the Cartoonion" segment.

I would also love to direct films for Pixar.

In the case of either life path, I would like to use my career to create meaningful media and/or entertainment, particularly for young people.

11. What do you do when you're in a rut or have writer's block?

I'm blessed that I rarely have to deal with writer's/artist's block. Keeping a notebook and writing down ideas whenever they occur to me helps keep creative blockage at bay.

Watching a 2-D Disney movie or watching late-night comedy never fails to offer heaps of inspiration.

12. What do you think will be the future of your field?

I hope that illustrators and filmmakers who intend to create meaningful, character-building animated films for children enter the field of animation. I admire how Pete Docter has imbued the films he has worked on/directed (i.e. Wall-E) with his Christian faith.

I believe the future of political cartooning may lie with animated political shows, such as Stephen Colbert's underrated animated series "Our Cartoon President." The show has been more or less panned by critics, but each show is essentially a 30-minute moving political cartoon and deserves credit for being more or less the first of its kind.

13. What local cons do you attend? The Small Press Expo, Awesome Con, or others? Any comments about attending them?

Being a Georgetown student with newfound access to DC has given me a new perspective on the sheer quantity of phenomenal cons available to me. I'm eager to continue learning about new cons to visit, particularly those that focus on film-making and illustration

For a number of years I have attended AwesomeCon, where I have met Wallace Shawn, Cary Elwes, Chris Sarandon, Adam West, Burt Ward, and David Tennant. I met David Tennant while dressed as the Tenth Doctor; I gave him a drawing of Ten meeting Scrooge McDuck, which David said "was the pinnacle of all his work." I continue to share this story with my Uber drivers.

14. What's your favorite thing about DC?

Coming to Georgetown, I was concerned that DC did not have the media and/or entertainment presence of New York or Los Angeles. However, perhaps partially due to my interests changing since arriving on campus a year and a half ago, I'm realizing that DC's political focus makes it a media hotspot particularly well-suited to my own interest in politics. DC being where the action is in terms of current global chaos is also a plus.

15. Least favorite?

See previous sentence.

16. What monument or museum do you like to take visitors to?

#ripnewseum.

17. How about a favorite local restaurant?

My favorite restaurant of all time is Filomena in Georgetown. I am comforted knowing that my culinary tastes have been validated by Bono and Harrison Ford.

18. Do you have a website or blog?

My work can be found on alexandrabowmanart.com and on Instagram (@alexandrabowmanart). I also tweet about illustration and current events under the handle @scripta_bene. I have a Facebook page for my work, which sends me notifications two or three times daily saying "Your followers have not seen a post from you in months." It's linked here if you're still interested.

Friday, October 29, 2010

Mark Fiore's GU appearance

Given that this event was sponsored by the Journalism department, I'm a little surprised this article isn't credited - Pulitzer Prize-Winning Cartoonist Satires Politics (October 28, 2010). Fiore was a good speaker, and showed about 5 of his cartoons.

Wednesday, October 07, 2009

Oct 13: Baddies – Between Image and Text



From: Matt Dembicki 
FYI, this was posted at the DC Conspiracy messageboard...

The Program for Jewish Civilization
 
at the Edmund A. Walsh School of Foreign Service
presents

Baddies – Between Image and Text
David Stromberg, Israeli Writer, Artist, and Journalist
Tuesday, October 13
4:00 PM - MSFS Conference Room, 7th Floor Intercultural Center (ICC) RSVP AT http://events.georgetown.edu/events/index.cfm?Action=View&CalendarID=349&EventID=69057

BADDIES looks aslant at everyday life, unearthing its most hilarious and ridiculous aspects amidst even our darkest fears and phobias. Inhabited by an antic and eclectic assortment of odd-ball characters, who star in chapters such as "Action and Its Doubt," "The Day and Its Battle," "Mystery and Its Carnality," these captioned cartoons capture a world forever veering off from the normal, the rational, and the "well adjusted."

http://www.mhpbooks.com/book.php?id=239

David Stromberg is a writer, artist, and journalist. His publications include three collections of single-panel cartoons—Saddies, Confusies, and Desperaddies—and he has written on art and culture for The Believer, Nextbook, St. Petersburg Times, Jerusalem Post, and Ha'aretz. His fiction has appeared in the UK's Ambit. Born in Ashdod, Israel, to ex-Soviet parents, Stromberg grew up in urban Los Angeles and currently resides in Jerusalem.

Free Admission 

Program for Jewish Civilization
Georgetown University 
37th and O Streets
Washington, DC 20057 
pjc.georgetown.edu

Questions or comments? E-mail us at cjcinfo@georgetown.eduor call (202) 687-4245
 
Missed a lecture? Visit http://pjc.georgetown.edu/events/audio/ to download it to your iPod.

Wednesday, May 13, 2009

Did you know? Krazy Kat in Georgetown


Did you know that Georgetown University's Lauinger Library holds two original Krazy Kat Sunday pages by George Herriman? No, I didn't either. David Hagen showed them to me last week. They're in the Archives, of course, as is at least one large collection of political cartoons, from a politician who collected images of himself, I think. There's definitely a Clifford Berryman in there, and I saw a Gib Crockett on the University Archivist's wall. I'm afraid I can't figure out their website well enough to track down the collection though, but you could contact them to ask.

Monday, August 25, 2008

Frankenstein, the illustrated novel (or one of them)

Here's a blog post that reproduces Lynn Ward's illustrations for Frankenstein. I've got this book - I inherited it from my grandfather - and it's awesome. Note the comments about Georgetown University Library's collection. They had a Ward exhibit about two years ago.

Wednesday, April 02, 2008

Georgetown University professor op-ed on Danish Islam cartoon controversy

See "The Controversy Over the Cartoons," by Noureddine Jebnoun, Middle East Online pril 2, 2008. Jebnoun is an adjunct professor at Georgetown University’s Center for Contemporary Arab Studies.

Tuesday, November 13, 2007

Nov 14-17 manga play in Georgetown

Phil Troutman sends in a reminder of this:

"Trees and Ghosts," Adapted and Directed by Natsu Onoda, from the Graphic Novels of Osamu Tezuka.

WORLD PREMIERE! Nov. 14 - 17 (remaining performances) at 8 pm, Gonda Theatre, Davis Performing Arts Center, Georgetown University.

Advance tickets required, $7 student - $15 general admission: phone 202-687-6933 or http://performingarts.georgetown.edu/THEATER/2007-2008/2007-2008Season.html

From their website: "A new multimedia production adapted from three short graphic novels by a Japanese cartoonist Osamu Tezuka, who is considered the inventor of manga (contemporary Japanese comics). Spirits, elements of nature and memories of World War II haunt each of the stories that make up this highly visual production which employs interactive video, live on-stage drawing, and live taiko drums."

Reviewed in The Washington Post, Tu 13 Nov, page C2.

Which would be here -
"Trees and Ghosts': Manga's Magical Touch" by Nelson Pressley, Washington Post, Tuesday, November 13, 2007; Page C02

Wednesday, October 17, 2007

Nov 8-17: World Premiere of Tezuka-inspired play

Now this is different... Anyone want to go with me? I'm busy on the 8th at the Pen/Faulkner thing, but later in the month should be fine.

For Immediate Release
Contact: Joshua Speiser
Tel: 202.687.6933
js47@georgetown.edu


Georgetown University’s Theater and Performance Studies Program presents

Trees and Ghosts
Adapted and Directed by Natsu Onoda, from the Graphic Novels of Osamu Tezuka
WORLD PREMIERE!


November 8th - 10th, 14th – 17th at 8 pm; November 11th at 2pm

Trees and Ghosts is a groundbreaking, new play adapted from three short, relatively unknown graphic novels by manga pioneer Osamu Tezuka (1928-1989) who is revered in his native Japan as the “God of Manga.” Spirits, elements of nature and memories of World War II haunt each of the stories that make up this highly visual production which employs interactive video, on-stage drawing, and live taiko drums.

The second production in the 2007-2008 Hidden Histories Season of New and Unseen Works, Trees and Ghosts exemplifies the Theater and Performance Studies Program’s commitment to the development of new work. According to Professor Derek Goldman, Director of Georgetown University’s Theater and Performance Studies Program, “each of the four plays chosen this year – Fabulation, Trees and Ghosts, Wisconsin Death Trip and Stuff Happens - deals explicitly with the relationship between history ‘writ large’ and its more microcosmic, personal, and psychic reverberations.”

Adapter/director Natsu Onoda, Visiting Assistant Professor of Theater and Performance Studies, has been a fan of Tezuka since she could read. One of her treasured memories of her childhood is that of meeting Tezuka himself in sixth grade. As a young aspiring cartoonist, she visited Tezuka’s studio and showed him her work. Tezuka, known for his generosity for young fans, responded: “This is very good. Come back in three years, and, if you have made a progress, you should become a cartoonist.” Tezuka died two and a half years later. Since then, Onoda has adapted Tezuka’s work into live theater, published papers and given lectures on them, and is currently working on the first English-language book on his work, to be published from the University Press of Mississippi in late 2008. The three Tezuka stories Onoda has chosen to adapt to the stage have never before appeared in English translation.

The cast of talented Georgetown undergraduates received a one-week intensive training in taiko drumming by accomplished drummer Yoshihiko Fueki, a Nagoya-based taiko drummer who has been playing the taiko for fourteen years. Also assisting with the production is Belgian video and sound designer Ben Dierckx, a multimedia artist who uses custom interactive software and projection technology to create an altered visual palette that mimics dreams and hallucinations.

Tickets: $15 general, $12 faculty/staff/alumni/seniors, $7 students. To purchase, call 202.687.ARTS.

Trees & Ghosts (World Premiere)

Nov 8/07—Nov 17/07 Adapted & Dir by Natsu Onoda. A new multimedia production adapted from three short graphic novels by a Japanese cartoonist Tezuka Osamu, who is considered the inventor of manga (contemporary Japanese comics). The stories, all dealing with nature, spirits and World War II, come alive in this highly visual production using interactive video, live on-stage drawing, and live taiko drums. [PLEASE CALL FOR ACCESSIBLE SEATING OR GROUP RATES: 202-687-ARTS] Pic. ID req'd to pick up tix and for verification of purchase. Please arrive 30 minutes early to collect your tickets. The house is general seating.


--
Christopher Wanamaker
DC Anime Club President
http://www.dcanimeclub.org
202 262 2083