As requested by at least one reader, here's some notes from Clowes' appearance at Politics and Prose. Unfortunately the store's cd recorder failed so they're not offering the recording for sale - and this was one of the best cartoonist events I've seen.
Dan Kois of the Washington Post was the interviewer. The slide set was provided by Clowes and covered his career, which began with Wally Wood being his favorite cartoonist, discovering his story "Welcome to My World," and realizing that cartoonists were in fact real people. Although he wanted to work for
MAD, his first published work was for
Cracked. Fantagraphics and he agreed to do a comic book based on his character Lloyd Lewellyn - when he got bored with that, he began
Eightball which let him run many of his graphic novels as serials.
Eightball and
Like A Velvet Glove Cast in Iron both came from lines in the odd movie
Faster, Pussycat, Kill! Kill! when the criminal women are at the gas station.
Clowes feels like the strangest job he ever got was for Coca-Cola's "OK" Beverage where the advertising company gave him carte blanche to design the can and he ended up having to see this drawing he did of a man based on Charles Manson on billboards.
Wilson, his new book, arose when he was waiting at his father's deathbed and began writing comic strips to keep his mind occupied. He and Kois concurred that reading the whole book at once was a bit much and laughingly settled on a suggested 1 strip per hour. The book is intended to look like a 1950s cartoon book such as VIP's
Big George, where a viewer can clearly tell that this is both a comic collection book and Big George is a jerk.
During the questions, he recommended
Tim Hensley's Wally Gropius several times. He said he was bored with 1990s animation until
Persepolis came out and thought the best film in ten years was
Fears of the Dark especially Richard Maguire's segment which he called on par with Hitchcock.
He's done with
Eightball probably because comic books don't really make sense anymore when you have to sell them for $7-8. He's working on a screenplay - "I'm working on something I can't talk about."
He doesn't use computers except to color - "Every line in every book is drawn by hand." Coloring is done in an architect's program, Vector, which is a pain, but gives perfect precision every time.
Is Wilson's monologue internal? "I'm not sure." The good thing about comics is that it doesn't matter. In a film, he'd look insane talking to himself, but comics lets you play around with what's actually happening.
Eightball 23, The Death Ray, will be reprinted as a book at some point - he's just had too much to do and the comic needed to sell out first, but now he's got too much new product coming out. The New York Times strip
Mr. Wonderful in an expanded version will be out from Pantheon next February.
Francois Mouley approached him about doing
New Yorker covers. He had been doing spot illos for the magazine, but that's a different department. He'd been asked years ago to do them, but hadn't figured out how to approach them. Noting that they're supposed to be wry proto-cartoons, he reflected, "If you actually make someone laugh, you've failed." Now he's got it down and can immediately think how to design one.
Did he enjoy collaborating on movies? "I did enjoy it. You can get very stuck in your own head drawing comics every day... I wouldn't want to do that [ie moviemaking] full time at all."
Were the
NY Times strips edited? "They were very good except for certain words. I needed the guy to go to "Jesus" for his word" - after a letter, the NYT told him he couldn't use it anymore. "They wouldn't let me use the word 'schmuck.' He quoted their own columnist William Safire on the widespread acceptance of the word now, but they still wouldn't let him use it. (Incidentally, it appeared in the Arts section just this past week).
That's all the notes I took - I'm really sorry the recording failed. Clowes has been doing tons of interviews besides in DC, and I'm compiling them for my
next bibliography - if there's any interest I can post links here.
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