Friday, October 20, 2017

Jan 18: Mary and the Witch's Flower anime premiere


This one looks beautiful, and is by two Studio Ghibli alumni.


'Mary and The Witch's Flower' to Premiere in Cinemas for Special One-Night Adventure January 18

 

The Debut Feature From Studio Ponoc Will Screen in Movie Theaters Nationwide, Featuring an Exclusive Interview With the Academy Award®-Nominated Filmmakers

 

DENVER – October 18, 2017 – GKIDS and Fathom Events are partnering on the much-anticipated debut title from Studio Ponoc, "Mary and The Witch's Flower," which will get a special one-night national premiere on the big screen this January, prior to its wide theatrical release. This stunning, action-packed fantasy adventure is the second collaboration
between Academy Award®-nominated director Hiromasa Yonebayashi (who directed Studio Ghibli's When Marnie Was There and The Secret World of Arrietty) and fellow two-time Academy Award®-nominated producer Yoshiaki Nishimura (Studio Ghibli's The Tale of The Princess Kaguya and When Marnie Was There). 
 

Presented by GKIDS, Fathom Events and Studio Ponoc, "Mary and The Witch's Flower" will hit cinemas nationwide on Thursday, January 18 for a special premiere event with two showings, one at 7:00 p.m. (dubbed in English featuring Ruby Barnhill, Kate Winslet and Jim Broadbent) and the second at 8:00 p.m. (subtitled in English) local time. In addition to the feature content, audiences will be treated to an exclusive interview with the filmmakers as well as a special commemorative item (while supplies last at select locations). "Mary and The Witch's Flower" will open in select cinemas nationwide for regular screenings starting January 19

Tickets for the January 18 screenings of "Mary and The Witch's Flower" can be purchased beginning Friday, October 20, by visiting www.FathomEvents.com or at participating theater box offices. A complete list of theater locations will be available October 20 on the Fathom Events website (theaters and participants are subject to change).

Mary, an ordinary twelve-year-old girl, is bored and lonely during a summer holiday. She follows an odd cat into the nearby woods where she stumbles upon a flower and then a little broomstick.  Together the flower and broomstick whisk her above the clouds, far away to Endor College – a school of magic! At Endor, Mary tells a lie that leads to peril, and then a promise, while discovering that all is not as it seems at the school – there are experiments that horrify. Soon she confronts great danger, and a test of her resolve.
 

"Studio Ponoc has created a remarkable debut with 'Mary and The Witch's Flower,' full of the beauty and adventure we have come to expect from such an accomplished filmmaking team," said David Jesteadt, President of GKIDS. "We look forward to continuing our relationship with the filmmakers, as well as Fathom Events, to create a very special night for fans that have been anticipating this film for as long as we have."

"Fathom is thrilled to bring audiences the first look at the first film from Japan's Studio Ponoc with this special one-night premiere of 'Mary and The Witch's Flower,'" said Kymberli Frueh, Fathom Events VP of Programming. "This is an enchanting, gorgeously animated, fantasy-adventure, and the perfect event to kick off the 2018 slate of anime and animated offerings we are presenting with GKIDS."



Locally, it's showing for one night at

Nov 1: Tamora Pierce at Politics and Prose

She's written for Marvel & Dynamite Entertainment.

Tamora Pierce w/ co-authors: Julie Holderman, Timothy Liebe and Megan Messinger - Tortall: A Spy's Guide

Wednesday, November 1 at 7 p.m.
$24.99
ISBN: 9780375867675
Availability: Coming Soon—Pre-Order Now
Published: Random House Books for Young Readers - October 31st, 2017

Tamora Pierce is a fantasy legend for teens, best-known for portraying strong, believable heroines. She has penned eighteen books and several short stories set in the fantasy universe of Tortall. Here this universe is brought back to life. Spymaster George Cooper is cleaning out his office when he finds a special crate. This book is a glimpse through the crate, which contains letters, timelines, threat profiles and training documents. It's as much a historical collection as it is a spy training manual. Readers who have missed characters like Alanna, Daine, Thom and Queen Thayet will be transported back into their world. Ages 12 and up.





Annapolis publisher to add graphic novels

Dead Reckoning Will Specialize in Military and Naval GNs
by Milton Griepp on October 20, 2017
https://icv2.com/articles/news/view/38720/icv2-interview-gary-thompson-new-imprint

Thursday, October 19, 2017

Nov-Dec: Patrick McDonnell's Me Jane at the Kennedy Center

Details
In this brand new musical adaptation, join a young Dr. Jane Goodall and her special toy chimpanzee Jubilee as they learn about the world around them and the importance of protecting all living species. Age 6+

Wuerker talks to Blitt

'Wry Titters' in the Age of Trump

How New Yorker cover artist Barry Blitt became the master of the political moment.

http://www.politico.com/magazine/story/2017/10/19/barry-blitt-cartoons-interview-new-yorker-215719

Thom Zahler – An Interview with a BCC mainstay


Zahler at BCC in 2014

by Mike Rhode

Thom Zahler has been one of my favorites working long-term in a  ‘cartoony’ style in comic books. His Love and Capes series in particular used a series of Justice League analogues to tell a long romance story. He’s a regular at Baltimore Comic Con (BCC) and recently answered our usual interview questions.

What type of comic work or cartooning do you do?

I write and draw comics. I letter and color most of my own work, too. Basically, I do it all. (I did have a colorist on my recent Time and Vine series, though.)

How do you do it? Traditional pen and ink, computer or a combination?

These days, I’m mostly digital, in Clip Studio Paint, coloring in Photoshop and lettering in Illustrator. I still draw by hand when I can, especially commissions at conventions. And when I work on the right project, like My Little Pony, I do work traditionally so I have art for the resale market.

When (within a decade is fine) and where were you born? 

Early Seventies.

 What is your training and/or education in cartooning?

I took all the drawing classes I could in high school, as well as creative writing and working on the newspaper comic strip. After that, I went to and graduated from the Joe Kubert School of Cartoon and Graphic Art in Dover, New Jersey.

Who are your influences?

Curt Swan was the first artist I ever recognized. I wanted to be George PĂ©rez like most people reading in the eighties. But Kurt Schaffenberger and Ty Templeton were big influences as I started finding my wheelhouse. And these days, it’s the late Darwyn Cooke.

You've got a very 'cartoony' style (which I love), but has it worked for or against you in getting jobs? Do you have a more "realistic" style?

I used my realistic style on my Raider book, which went nowhere. I think I can pull it off, but it’s like going uphill. And my realistic style isn’t as magnetic as my cartoon style. I’m a decent serviceable realistic artist but a good cartoon artist. So I’m going with my strengths.

The cartoony stuff has worked fine, but I’m also pitching it where I think it works. I’ve drawn Strawberry Shortcake covers, pitched on other cartoony stuff. I know I’m not the artist to draw monthly Superman books, so I’m not aiming for those.

The only difference it really makes is in the stories I choose to tell. I have a spy book I’d love to do, but I’m not the artist for it. But Warning Label, Love and Capes and even Time and Vine, I’m good for. I mentioned Darwyn Cooke before, and he’s who I follow. His stuff works on almost everything, but he also told very Darwyn Cooke stories.

 If you could, what in your career would you do-over or change?

I would take some art history classes. I wish that I had the opportunity to learn more about classic artists. I might have tried moving out to LA to pursue more writing opportunities.

 What work are you best-known for?

It's a toss-up. Love and Capes is what most comic readers know me from, but my work on My Little Pony is by far the biggest title I’ve had the privilege to work on.

Which came first, the Capes webcomic or the comic book?

The LNC print comic always came first. The four-panel beat thing was done for two reasons. One, back then everyone thought half-pages were the secret to webcomics, so being able to have a format that embraced that meant I could repurpose as a web strip if I liked doing the book but couldn’t afford to publish print editions. And two, four-panel beats is a natural comedic metronome to a guy like me who learned so much of his comedy from Bloom County.
 
How did you get involved with My Little Pony?

I was trying to impress my girlfriend at the time. She was a fan, and IDW was already publishing Love and Capes. So I asked if I could do a cover, because I knew they’d do a few. Bobby, the editor, knew my work and asked if I wanted to pitch the book. Not being an idiot, I said “Absolutely” and went home and mainlined the show to research it.

 What work are you most proud of?

I'm still very proud of the last arc of Love and Capes. It’s heartfelt and really sticks the landing, and part of why I haven’t ever come back to that. But, I feel like every new project is stretching my artistic muscles in new ways. I’m very happy with Warning Label.

Your new book, Time and Vine, is currently being published by IDW. What's it about? How long is it planned to run? 

It’s about a magical time traveling winery, where when you go into the right tasting room and you drink the right bottle of wine from 1912, you go back to 1912 until you sober up. It’s a four issue miniseries, each issue double-sized so it’s like eight issues total, and the last issue just came out. It’s built to do more when I’m ready, and when I have time.

My copies of #2 and 3 from my comics store had the same cover - I assume there was a mix-up in production?

Yeah, pretty much. Mistakes were made, they won’t happen again. The alternate covers, the 1980’s cover on #2 and the 1860’s cover on #3 did print correctly. So only half the issues of #3 are misprinted.

What would you like to do or work on in the future?

I'd like to write more animation. I’d like to work on some mainstream superhero book at some point. But past that, I am very happy with my personal, creator-owned work.

What do you do when you're in a rut or have writer's block?

I take a lot of walks get over story points. And I’ll try to draw something fun to clear out the cobwebs as well.

What do you think will be the future of your field?

I think that I’m in a good place, but it should never be comfortable. Things have changed so much just in my short time in the field. There’s no way that I could have done Love and Capes ten years earlier. Computer coloring made things possible that I wouldn’t have been able to afford. And now, webcomics are getting my stories known in ways that I never expected.

My feeling is that the game is always changing. The only constant is that I have to learn to adapt to it.

How was your BCC experience? How often have you attended it?

I’ve been going to BCC for over ten years. It’s one of my favorite shows. I just adore it, and I love the fans and the pros and everything about it. My favorite thing about the show is that it’s still a comic book show. They’re surgical about bringing in media guests, and keep the focus on comics.
 
What's your favorite thing about Baltimore? Least favorite?

As far as Baltimore itself, I do love the inner harbor. The humidity.

What monument or museum do you like?

The Cleveland Art Museum and the Jefferson Memorial.

How about a favorite local restaurant?

My favorite place here in town, Taco Local, just closed. Right now it’s a place called Brim. And when I’m in Baltimore, Miss Shirley’s.

Where is "here in town?"

I live just outside of Cleveland, Ohio, birthplace of Superman.

 Do you have a website or blog?

Warning Label webcomic
 My website is www.thomz.com. I’m also on Twitter and Instagram @thomzahler

Kramer on sewage and other waste


Local cartoonist Josh Karmer does an online informational comic about waste-to-energy systems for the World Resources Institute. 





Oct 26: Jason Reynolds at Politics and Prose

He also recently wrote a Spider-Man novel which I'm sure he'd be glad to discuss and sign. I saw him at Hooray for Books, and he did a great presentation - Mike

Jason Reynolds - Long Way Down — in the Children & Teens Dept. **FOR TEENS AND ADULTS

Thursday, October 26, 2017 at 7 p.m.

Fifteen-year-old Will stands in his building's elevator, a gun tucked into his waistband, heart thudding with grief and fear. When he reaches the lobby, he knows what he has to do: shoot the man who killed his older brother. But as the elevator descends from the seventh floor to the first, something unbelievable happens that forces Will to question everything he's been taught. The events unfold over the course of a single minute, revealed in verse. Long Way Down will ignite an important conversation about gang violence and the rigid "rules" of masculinity. Ages 14 and up.

This is part of the Can We Talk About This event series

 

This event is free to attend with no reservation required. Seating is available on a first come, first served basis.
Click here for more information.


5015 Connecticut Ave NW   Washington   DC    20008

Wednesday, October 18, 2017

Oct. 20: MASL comics panel


The fall meeting of the Maryland Association of School Librarians on October 20 will include a panel of local cartoonists including Jessica Sheron, Alexis Frederick-Frost and Matt Dembicki. The session, moderated by podcaster Matthew Winner, will “focus on creating graphic novels, storytelling through paneled art, and how to support instruction through the use of graphic novels.” 

Oct. 19: Cohen @ Heurich House Museum


Cartoonist Andrew Cohen on October 19 will sign copies of his comic “The Brewmaster’s Castle” at the Heurich House Museum for an event from 6:30-8:30 p.m. that include local comics-themed brewer Heroic Aleworks and Greg Kitsock, the founding editor of Mid-Atlantic Brewing News and contributing editor of Beer Advocate Magazine. The cost is $30 and includes beer, snacks and a tour of the historic home.


PR: 10,000 Sci-Fi items to be auctioned Saturday Oct 21 in Falls Church VA - The Brammer Collection


FOR INFORMATION: Catherine Payling,  Director Waverly Rare Books at Quinn's Auction Galleries; 703-532-5632 ext. 575  catherine.payling@quinnsauction.com

 

AUCTION CATALOGUE: 

http://quinnsauction.hibid.com/catalog/113513/waverly---brammer-sci-fi-sale---10-21-2017/

 

 

 

EARLY SCI FI COLLECTION GOES TO AUCTION OCT 21

The Brammer Family Collection of more than 10,000 books, comics, ephemera

to be sold at Quinn's Auction Galleries

 

A treasure trove assemblage of early science fiction will be sold  October 21 when the Fred and Eric Brammer Family Collection  of books, comics and ephemera goes to auction at Quinn's Auction Galleries & Waverly Rare Books in Falls Church, Virginia.

 

An encapsulation of the collections of father and son duo, Fred and Eric Brammer, of McLean, VA,   the sale represents more than six decades of purposeful collecting starting with items from early science fiction and fantasy conventions in the 1930s. Fred, a member of the First Fandom, a group of lovers of the sci-fi and horror genres, amassed a collection of pulp fiction, comic books, ephemera, classic novels, short stories and cult hits starting before the Second World War As he traveled  the globe attending sci-fi conventions, Fred often purchased the newest works by burgeoning authors. Passing along his love of weird fiction to his son, Eric, the Brammer family eventually became staples at conventions sharing their passion for the genre and supporting then little known authors and ventures such as Star Trek.

 

After Fred's death Eric, a filmmaker and photographer, decided to bring his father's collection to auction for the purpose of using the proceeds to create a documentary examining the Brammer family story in the world of science fiction. His film will also show the influence and importance the members of the First Fandom had on contemporary science fiction and popular culture fandoms.

 

Highlights of the Quinn's sale will include a first edition of Foundation Series by Isaac Asimov, Fahrenheit 451 by Ray Bradbury and H. P. Lovecraft's The Outsider and Others. In addition to a series of rare and desirable first editions, the Brammer Family Collection boasts hundreds of golden and silver age comic books including Batman No. 181 with the first appearance of Poison Ivy; Captain America, No. 100, and the first appearance of Captain America in his own series; Fantastic Four No. 48, "The Coming of Galactus," and The Amazing Spider-Man No. 129, the first appearance of the Punisher, among many other important and early comics.

 

The auction will take place Saturday, October 21 at 11 am at Quinn's Auction Galleries, 360 South Washington Street, Falls Church, Virginia. www.QuinnsAuction.com

 

 

 

FOR INFORMATION: Catherine Payling,  Director Waverly Rare Books at Quinn's Auction Galleries; 703-532-5632 ext. 575  catherine.payling@quinnsauction.com 

 

 

 


Ann Telnaes on covering Trump

Comic Riffs talks to Brian Fies about his losses to California fires

Santa Rosa cartoonist draws 'a dispatch from the front' after his house burns down

Washington Post Comic Riffs blog (October 17 2017):
https://www.washingtonpost.com/news/comic-riffs/wp/2017/10/17/santa-rosa-cartoonist-draws-a-dispatch-from-the-front-after-his-house-burns-down/
"A Fire Story," by Brian Fies. 2017

Wall Street Journal talks to Tom King about Batman...

... but it's behind a paywall.

Batman Shows His Softer Side

The Dark Knight is evolving, with writer Tom King seeing Batman as 'sort of a machine that turns pain into hope.'

By Michael Rapoport

Updated Oct. 16, 2017

Appeared in the October 17, 2017, print edition as 'batman takes on a more human dimension.'

https://www.wsj.com/articles/batman-shows-his-softer-side-1508168307#comments_sector

Tuesday, October 17, 2017

Big Planet's Jared Smith on Slate podcast...

...although I can't figure out how to listen to these on a computer...

How Does a Comic Book Store Owner Work?

Jared Smith talks about the weekly grind of bringing comics to readers.

171015_WORKING_JaredSmith
Jared Smith.

Photo illustration by Slate. Photo by Jacob Brogan.

Over the past six episodes of Working, we've been talking with writers and artists about how comics get made. In this episode, which you can listen to via the player above, we're looking at how they make their way into readers' hands.

This week, we sat down with Jared Smith, one of the co-owners of Big Planet Comics, a chain of four shops in the Washington area. Smith discusses the ups and downs of a job that finds him reading comics almost every day. Along the way, he leads us through a week in the life of the comics shop, from the labor that goes into unpacking boxes of new books every Tuesday to the daily effort of building relationships with customers. He also talks Big Planet's publishing partnership with Retrofit Comics, a project that finds him serving an editorial role.

Then, in a Slate Plus extra, Smith talks about the comics he eagerly reads every month. If you're a member, enjoy bonus segments and interview transcripts from Working, plus other great podcast exclusives. Start your two-week free trial at Slate.com/workingplus.

Monday, October 16, 2017

SPX's 2dcloud panel

SPX 2017 Panel - Good Minnesotans and Mirror Mirrors: Ten Years of 2dcloud

Moderator Jared Gardner, publisher Raighne Hogan and an array of 2dcloud artists celebrate and recount the history of this cutting-edge indy publisher and look toward its future. Panelists Xia Gordon (Kindling), Margot Ferrick (Yours), Fifi Martinez (Deep Affection), and Laura Lannes (Mirror Mirror II) all debuted new comics at SPX 2017.